Day by Day, and with Each Passing Moment

There’s a Hymn on My Radar. . .

The turn of the year provides an excellent opportunity to reflect on how we use the time–the minutes, hours, and days that God gives us–and it brought to mind the words of the hymn by Carolina Sandell (key details are below).

Day by day, and with each passing moment
Translator: A. L. Skoog;
Author: Carolina Sandell (1865) (also known as Lina, and sometimes spoken of as the Fanny Crosby of Sweden)
Tune: BLOTT EN DAG | Oscar Ahnfeldt

Enjoy listening to the melody here:

The words are:

1 Day by day and with each passing moment,
Strength I find to meet my trials here;
Trusting in my Father’s wise bestowment,
I’ve no cause for worry or for fear.
He whose heart is kind beyond all measure
Gives unto each day what he deems best–
Lovingly, its part of pain and pleasure,
Mingling toil with peace and rest.

2 Ev’ry day the Lord himself is near me,
With a special mercy for each hour;
All my cares he gladly bears and cheers me,
He whose name is Counselor and Pow’r.
The protection of his child and treasure
Is a charge that on himself he laid:
“As your days, your strength shall be in measure”–
This the pledge to me he made.

3 Help me then in ev’ry tribulation
So to trust your promises, O Lord,
That I lose not faith’s sweet consolation
Offered me within your holy Word.
Help me, Lord, when, toil and trouble meeting,
E’er to take, as from a father’s hand,
One by one, the days, the moments fleeting,
Till I reach the promised land.

For my musically minded readers, you could view the score HERE (thanks to Hymnary.org). And I see that hymnary.org also offers a dynamic / interactive way of viewing the hymn music as it is played HERE. However, be prepared that this seems a much speeded up version!

Further Insights

Hymnary.org (HERE) offers further interesting insights:

Translator: A. L. Skoog

Skoog, Andrew L. (Gunnarskog, Sweden, December 17, 1856 [sic]–October 30, 1934, Minneapolis, Minnesota). Evangelical Covenant. Son of pietists. Tailor’s apprentice at 10. Family emigrated to St. Paul, Minn., when Andrew was 13. Only formal music training was 12 lessons on a melodeon. Organist, choir director, and Sunday School superintendent in Swedish Tabernacle, Minneapolis, 1886-1916. Co-editor of hymnals: Evangelii Basun I & II, 1881-1883; Lilla Basunen, 1890; and Jubelklangen, 1896. Was in editorial committee of Covenant’s first three hymnals: Sions Basun, 1908; De Ungas Sångbok, 1914; and Mission Hymns, 1921. Editor and publisher of Gittit 1892-1908, a monthly choir journal with music; a series of ten bound volumes of choir selectio… Go to person page >

Author: Carolina Sandell

Caroline W. Sandell Berg (b. Froderyd, Sweden, 1832; d. Stockholm, Sweden, 1903), is better known as Lina Sandell, the “Fanny Crosby of Sweden.” “Lina” Wilhelmina Sandell Berg was the daughter of a Lutheran pastor to whom she was very close; she wrote hymns partly to cope with the fact that she witnessed his tragic death by drowning. Many of her 650 hymns were used in the revival services of Carl O. Rosenius, and a number of them gained popularity particularly because of the musical settings written by gospel singer Oskar Ahnfelt. Jenny Lind, the famous Swedish soprano, underwrote the cost of publishing a collection of Ahnfelt’s music, Andeliga Sänger (1850), which consisted mainly of Berg’s hymn texts.